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Belleville News-Democrat, The (IL)
April 28, 2005
Section: Lifestyle
Page: 1C

SO YOU WANT TO BE A STAR --- PETER SKLAR KNOWS WHAT IT TAKES
Teri Maddox

You've read about young stars with big problems --- Jackie Coogan, Tatum O'Neal, Judy Garland, River Phoenix, Sandra Dee, McCauley Culkin, Patty Duke and Mary-Kate Olsen.

But behind the headlines, there are hundreds of other children and teen-agers who follow their dreams and work successfully in show business.
"The average kids who are doing this are healthy and happy," Peter Sklar said. "And I've known enough of them to say that with some authority."

Sklar, 56, is an independent producer, child-development counselor, talent scout and director of a performing-arts center in upstate New York. His students have included Sarah Jessica Parker, Ricki Lake, Reese Witherspoon, Rick Schroder and Mischa Barton.

Sklar also travels around the country, giving lectures on how young people can further their careers while avoiding common pitfalls such as industry scams and eating disorders. He even jokes about "stage mom syndrome."

"Today's stage mothers will say, `I'm not pushing my child," Sklar said in a telephone interview. "I'm not making her do this. Ever since she was 2 1/2 weeks old, this has been her dream.'"

Sklar will speak at 1 p.m. Saturday at Sherry's School of Dance, 802 W. Main St. in Collinsville. His lecture is called "Young Dreams ... Fears, Hopes and Fantasies."

It's open to ages 6 and above. (Those under 18 must be accompanied by one of their own parents). Admission is free. Reservations are required. For more information, call 344-6200.

"The kids who are coming are very excited," said dance teacher Sherry Papachrisanthou. "They just want to hear what he has to say. ... We have situations where parents aren't sure how talented their children really are. They want to keep things in perspective."

Sklar focuses on four major points. The first is self-awareness, a concept based on discussions with casting directors who repeatedly use the terms "real" and "self-motivated" to describe children they want to hire.

Next comes health. Sklar points out entertainers must feel good and look good to stay at the top of their game. They need energy, endurance and focus.

"I tell kids, `You have to eat a lot of green vegetables every day," Sklar said. "You have to cut down on your sugar and caffeine. You have to drink a lot of water. You have to wash your hands.'"

Sklar advises teenagers and twentysomethings to stay single, noting youthful marriages among entertainers usually fail and they can interfere with careers.

Finally, he encourages family members, teachers, neighbors and friends to think and act positive.

"(Aspiring entertainers) have to politely and respectfully ignore the advice of anyone who ever tells them, `There's so much competition and rejection in this business that you have to have something more realistic and practical to fall back on,'" Sklar said.

"It comes from people who care about these kids. They want to protect them. But it's the most destructive advice you can give to a young person who has a dream."

Sklar recommends young dancers, musicians and actors beef up their resumes by taking classes and performing in local productions whenever possible.

He sees no problem with parents taking children to New York City or Los Angeles during summer vacations to read trade papers, go to open auditions and "get their feet wet" in show business.

"I don't like parents moving out there full time and trying to start a career with their kids unless the child's at least 18," Sklar said. "It just feels wrong."

He strongly encourages high-school graduates to spend a year in New York City or Los Angeles before going to college. They can get a feel for life as a struggling entertainer by auditioning, taking classes, waiting tables and paying rent.

Sklar prefers New York City because people don't need cars, and they can get more accomplished in a day without fighting traffic. The city also offers opportunities for actors with all levels of experience.

"There's nobody more bewildered than a 22-year-old, theater-arts graduate who has no idea what's out there waiting for them," Sklar said. "They hit the streets, and the first thing they find out is nobody wants to hear their monologue. They're going to read a 30-second commercial while the agent's eating lunch and talking on the phone.

"And after four years, $80,000 and being the lead in all the school plays, that's a huge bruise. So find it out when you're 18 so you know what's waiting for you out there."

Sklar practically begs young people to attend college. He has no hard evidence but feels educated entertainers are more successful overall.

Sklar discourages students from majoring in theater or other performing arts, although many in show business disagree.

"I think they should minor in (performing arts) and major in something that broadens their perspective, increases their depth," Sklar said. "I recommend things like psychology, history, philosophy or sociology so when they come to your table they bring more to it."

Sklar warns parents to stay away from hotel talent searches, non-union talent or modeling agencies, companies that charge high prices to prepare portfolios and anyone else who doesn't offer to provide client references.

Agencies not affiliated with the Screen Actors Guild can't get clients major jobs or earn large commissions, so many rely on sales of unnecessary services to get by.

"There's virtually nothing we learn about you with any relevance to casting from a photograph," Sklar said. "The purpose of pictures in show business is, it's something you drop off at an audition or interview just to remind the casting people who they just saw. It's a face to go with our notes.

"But people spend thousands of dollars for these portfolios, and that's silly. We don't look at them."

Sklar grew up in a musical family. He studied concert piano at The Juilliard School in New York City. His mother was a pianist. His sister is a flutist.

Sklar started his career as a theater accompanist and children's vocal coach. He earned a master's degree in education from Harvard University and led discussion groups for young Broadway performers.

"They would come in and talk about their lives," Sklar said. "It was so interesting to me that I started writing a musical about it (`The Kid Who Played the Palace'), and 20 years later, I'm producing it."

In 1984, Sklar founded the Beginnings Workshop in Hancock, N.Y., near his home in Ossining. Hundreds of young people from all over the country have trained theree in theater, vocal music and other performing arts.

Behind the scenes, Sklar tries to reassure parents that young people can work in show business and still live healthy, happy, relatively normal lives as long as they have plenty of love and support.

"You hear about the kids who became stars and then crashed and burned," Sklar said. "But their self-image and families were probably not in very good shape before they ever stepped foot on a set."

At a glance

What: Peter Sklar lecture on "Young Dreams ... Fears, Hopes and Fantasies."

When: 1 p.m. Saturday.

Where: Sherry's School of Dance, 802 W. Main St. in Collinsville.

Who: Ages 6 and above (those under 18 must be accompanied by one of their own parents).

Admission: Free.

Reservations: Call 344-6200.


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